Monday, 19 September 2011

Books and Stuff: An In-between Posts Kind of Post

Okay, so the past two weeks have been kind of crazy (on more levels than I care to remember) and two different planned posts have had to be pushed forward simply because I have not had the time to do some much needed prep on either of them.

However, before I start sounding like the kid who tells the teacher that the dog ate his homework, let me offer you this as an in-between posts kind of post. A good chunk of yesterday was spent browsing through the seminar schedule of the upcoming Göteborg Book Fair in order to decide, at least tentatively, what I should attend this year (the results should obviously be in my next blog post). Thus it does not seem entirely off to use this space on this occasion to promote some books; luckily, I have just read two fine specimens.

First off, I would like to recommend David Morrell's 1972 novel First Blood upon which the film of the same name was based. The novel is a tight thriller with political undercurrents and I recommend it warmly. For a more in-depth review, see the one I put up on Goodreads.

The second novel is no less political (perhaps even more so), but also no less emotional at its centre. The Reluctant Fundamentalist by Mohsin Hamid is a great piece of writing, and while it does not claim to be a thriller as the former novel, there is a compelling drive in the story, and a sort of mystery at the heart of it. For a more in-depth review, I once again refer you to a full review on Goodreads.

Hopefully the full reviews will whet your appetites for these books. They are well worth your time.

Monday, 5 September 2011

Superman Goes Commando! (In a Manner of Speaking)

On Saturday, I caught up with an (as per usual) interesting blog post by Zaki Hasan from the previous day: "Why Superman Needs The Red Underoos."

The post ties in with DC's latest stunt, a total company-wide reboot of their entire line and fictional universe (let's not even get started on that one), and more specifically focuses on their redesign of Superman. The man of the hour here is Jim Lee, who is the man responsible for rethinking and revamping an old faithful design (which has already, admittedly, seen some variations over the years, while nevertheless keeping a basic design intact). Apparently, the first view of this new design can be seen in a single panel in the debut release of the rebooted Justice League #1, and the most radical changes appear to be the addition of a collar and the loss of the otherwise ever-present red-underwear-on-the-outside.

Now, as Hasan points out, the red-underwear-on-the-outside has always been a point open to derision, but I could not agree more with his assessment that "the red trunks (along with the yellow belt) [...] helped give a much-needed sense of visual balance," which the Lee version clearly lacks.

However, the loss of the red trunks is not limited to DC's reboot of the character. This week has also provided the first full frontal look of Henry Cavill in his Superman regalia. Cavill is the actor portraying the character in the upcoming Man of Steel, directed by Zack Snyder and produced by Cristopher Nolan, and currently being filmed. (The photo is from on-set, so the colour scheme is not necessarily a definite match to what the film will show, I hasten to add.)

While the fact that this version (at least) has no collar produces a less fascistic and more traditional looking hero, the lack of even a (wrongly) coloured belt seems to underline Hasan's point about visual balance. However, there is more to it than that. Even discounting Cavill's somewhat awkward pose in this picture (which honestly looks quite a lot like a man in need of a bathroom break),
if we think of the traditional skintight superhero costume as a comic book shorthand for the perfected human form, then the need for modesty — and thus the whole "underwear on the outside" thing — starts making a lot more sense. Just look at Cavill's...*ahem*...area to understand what I'm talking about.
I can but agree, yet again, with Hasan's assessment here.

Monday, 22 August 2011

Understanding Culture 101

In the wake of the Utøya massacre and its insidious perpetrator, the ever ongoing debate on multiculturalism is a hot topic once again. And as always, when certain political factions or elements start debating this concept and its inherent evil, I do not know whether to laugh or cry. Because it is a simple fact that culture is never clean nor monolithic. Not even when it tries to be.

On one level, defining cultures requires a consensus and set parameters to define the specificity of one compared to another. However, most of the political factions interested in this are actually not so much interested in consensus as in being able to provide the vision to govern the definition. The reason for this is, of course, always to separate us from them and clearly establish the difference between ourselves and our Other(s). But anyone who tries to define a cultural enclave in this manner will always (without exception) stumble on the finishing line. No matter how narrow the parameters are made, it is impossible to exclude all those one wanted to exclude, and the narrower the parameters are set, one also increases the equally inevitable risk of excluding people one wanted to include. In short, whatever makes up any definition of any culture can never be absolute, or entirely fixed for the matter.

This does not necessarily mean that we should abandon cultural definitions altogether, but it should make us aware of the imprecision in their natures.

So, what does this mean? Simply put, culture is something that arises in social contexts, in inter-individual meetings, when the ego means an Other. Furthermore, this central metaphor also expands to an intercultural usage (if you will pardon the confusion for a second). That is to say, when one imprecise cultural definition meets an Other imprecise cultural definition, new cultural references arise in that meeting. This is unavoidable, because culture is both resilient and innovative in its nature.

Do not get me wrong. The equation is obviously not that simple. If it was, colonialism and imperialism would never have been a problem. The difference here is that colonialism and imperialism is not so much about a meeting between cultures as one culture violently attacking another. The main factor here has to do with power, and it can arguably be invoked on any situation where one cultural enclave uses force to apply its own cultural definition over others; either to dominate them or to eradicate them. And even in such instances, history has proven that the meeting is not unilateral anyway. There is an old saying that claims that you are what you eat, and apparently even colonisers and empires are affected by what they devour and digest.

But this is not the case here in Sweden (nor I would dare argue, in most European countries or in the US for that matter). Islamic culture (because as always since at the very least 9/11, this debate is about Western civilisation (and possibly Christianity) being overrun by Islam) is not in any position of power here. Nor, differently put, in any position of power greater than any other minority (and most certainly not greater than any majority). Swedish culture (whatever that is) is not overrun by excessive Islamic references or specific values. If anything, one could argue that Swedish culture or identity runs a greater risk of being overrun by Anglo-American values, but you rarely hear political groups like the Sweden Democrats complain about that type of cultural import as opposed to favouring Swedish culture.

And I would bet that they eat pizza as well. After all, pizza could arguably be seen as rather typical Swedish food. In fact, you cannot go anywhere in Sweden without finding a pizzeria. This is more or less true for any small town in the country, but this was obviously not always the case. Nor do we need to go very far back in history to find a time when it certainly was not (the mid-20th century saw the introduction of pizza into Swedish culture, and it was not an immediate success either). Similarly, the epitome of Swedish food – the Swedish meatball – is Turkish in origin, and was integrated into Swedish cuisine much like the pizza, only a couple of centuries earlier.

In short, the notion that the multicultural society is something new is a myth. Culture has always been a mongrel dog of many mixed breeds. And that is partly what keeps it alive.

I am not saying that there are no values to traditions. I am, however, suggesting that we have to understand that traditions themselves are never entirely fixed. We may talk about how a proper Swedish Christmas should be spent, for instance, but in all honesty, if we define proper as "the way they were celebrated 100 years ago" (a fairly short amount of time for judging these things), I honestly wonder how many of us truly do. Or perhaps even more strongly, how many of us even know what that would actually entail? And that is not even taking into account local variations. In more cases than not, our strongest sense of our traditions are our own memories of how things is or was, specifically for us.

Much like language, culture is a living thing. What was will not always be what is; nor will what will be be guaranteed to last forever. Culture is an ocean of ideas, values and traditions, mixing and mingling as the waves and the tides move. And we are creatures adrift on those mighty waters, sometimes pretending that we are in control of their movements.